Roadside (Yau Ma Tei)
2019, Digital Print on Paper, Size Variable
︎Related Exhibition
"Where do we have a little art entertainment"
Wild Art Festival 2019
「哪有一點藝術娛樂」野生藝術節 2019
"Where do we have a little art entertainment"
Wild Art Festival 2019
「哪有一點藝術娛樂」野生藝術節 2019
Street art should be from the street. The objects picked up on the streets always contain traces from people, consumption patterns and street culture. The image of the object is magnified, and the functional meaning of the objects themselves have disappeared. What remains is "experience" of objects and their essence of existence.
Afterword: After one day, their survival rate is only 2/7, and the rest will soon disappear silently. This is a destined failing street artwork. Maybe I am just not reconciled to the fact that many things in this city have been hurriedly skipped. Gradually , we lost of sensitivity to our life.
Afterword: After one day, their survival rate is only 2/7, and the rest will soon disappear silently. This is a destined failing street artwork. Maybe I am just not reconciled to the fact that many things in this city have been hurriedly skipped. Gradually , we lost of sensitivity to our life.
果欄地上的果皮、安全用品店的手套、煙盒、煙頭、快餐店的汽蓋和飲管、裝潢宣傳的街招、空氣填充袋⋯⋯
街頭藝術應該回到街頭本身。街頭上撿拾到的物件包含著人的痕跡、消費和地區文化，物件影像被放大，物件本身的功能意義消失，剩下的是它可被觀察的經歷和存在的本質。
後記：一天後，它們的存活率只有2/7，剩下的遲早也會無聲無色地消失。這是註定的失敗街頭作品，只是不甘心這個城市的很多事物被匆匆略過，所指的不是這些廢物，而是我們逐漸失去對生活的敏感度⋯⋯
街頭藝術應該回到街頭本身。街頭上撿拾到的物件包含著人的痕跡、消費和地區文化，物件影像被放大，物件本身的功能意義消失，剩下的是它可被觀察的經歷和存在的本質。
後記：一天後，它們的存活率只有2/7，剩下的遲早也會無聲無色地消失。這是註定的失敗街頭作品，只是不甘心這個城市的很多事物被匆匆略過，所指的不是這些廢物，而是我們逐漸失去對生活的敏感度⋯⋯